Las óleos de todo Carlos Schwabe
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ID |
Image |
Painting (From A to Z) |
Details |
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86390 |
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La vague |
oil on canvas, 196 x 116 cm Mus x e d'art et d'histoire, Geneve
cyf |
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22327 |
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Pain (mk19) |
1893
Oil on canvas,155 x 104 cm
Musee d'Art et d'Histoire,Geneva |
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22276 |
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Poster of the first Rose Croix salon (mk19) |
1892
Lithograph,199 x 80 cm
Private collection |
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22258 |
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Study for The Wave female figure left of the central figure (mk19) |
1906
Mixed media on board,66.2 x 48 cm
Musee d'Art et d'Histoire,Geneva |
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22326 |
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Study for The Wave,feminine figure,back right Mixed media on board (mk19) |
66.2 x 48 cm
Musee d'Art et d'Histoire,Geneva |
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22325 |
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The Grave-Digger's Death (mk19) |
1895-1900
Water-colour and gouache,75 x 55.5 cm
Cabinet des dessins,Musee du Louvre,Paris |
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| Carlos Schwabe
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| German Symbolist Painter, 1877-1926
Swiss painter and printmaker of German birth. He became a Swiss citizen and received his artistic training under Joseph Mittey (b 1853) at the Ecole des Arts Decoratifs in Geneva. Following brief success there, Schwabe moved to Paris where he supported himself as a designer of wallpaper while he developed considerable graphic skills. He soon became active in Symbolist circles, winning favour as an illustrator of mystical religious themes. His highly refined drawings and watercolours accompany texts such as Le Reve by Emile Zola (published 1892; drawings, Paris, Pompidou; exhibited Sociot Nationale des Beaux-Arts, also in 1892), Baudelaire's Les Fleurs du mal (1900), Maeterlinck's Pellias et Melisande, Catulle Mendes's L'Evangile de l'enfance de notre Seigneur Jesus-Christ selon Saint Pierre (1900) and Albert Samain's Jardin de l'Infante (1908).
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